- I can read a text in graphic novel format.
- I can answer questions about a text and cite evidence to support my analysis. (RL.8.1)
Focus Standards: These are the standards the instruction addresses.
- RL.8.1, RL.8.3
Supporting Standards: These are the standards that are incidental—no direct instruction in this lesson, but practice of these standards occurs as a result of addressing the focus standards.
- RL.8.4, RL.8.10, RI.8.4, W.8.10, SL.8.1
Daily Learning Targets
Ongoing Assessment
- Opening A: Entrance Ticket (RL.8.1)
- Work Time C: Gist on sticky notes, Maus I, chapter 1
- Closing and Assessment A: Exit Ticket: Unit 1, Lesson 2 (RL.8.3, RL.8.4)
Agenda
Agenda | Teaching Notes |
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1. Opening A. Engage the Learner - RL.8.1 (5 minutes) 2. Work Time A. Introduction: How to Read a Graphic Novel (10 minutes) B. Preview Maus I - RL.8.1 (10 minutes) C. Read Maus I, Chapter 1 (15 minutes) 3. Closing and Assessment A. Exit Ticket: Text-Dependent Questions, Maus I, Chapter 1 - RL.8.3 (5 minutes) 4. Homework A. Preread "The Holocaust: An Introductory History": Students preread Homework: "The Holocaust: An Introductory History" in preparation for reading the text in the next lesson. |
Alignment to Assessment Standards and Purpose of Lesson
Opportunities to Extend Learning
How It Builds on Previous Work
Support All Students
Assessment Guidance
Down the Road
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In Advance
- Prepare
- Entrance Ticket: Unit 1, Lesson 2
- Exit Ticket: Unit 1, Lesson 2
- Ensure there is a copy of Entrance Ticket: Unit 1, Lesson 2 at each student's workspace.
- Provide each student a copy of the anchor text, Maus I, for their use in the lesson, beginning in Opening A.
- Post the learning targets and applicable anchor charts (see Materials list).
Tech and Multimedia
- Work Time A: Consider projecting each page of the graphic novel Maus I when previewing the text and explaining how to read a graphic novel.
- Continue to use the technology tools recommended throughout previous modules to create anchor charts to share with families; to record students as they participate in discussions and protocols to review with students later and to share with families; and for students to listen to and annotate text, record ideas on note-catchers, and word-process writing.
Supporting English Language Learners
Supports guided in part by CA ELD Standards 8.I.A.1, 8.I.B.5, 8.I.B.6, and 8.I.B.8.
Important Points in the Lesson Itself
- To support ELLs, this lesson includes an orientation to the graphic novel format and time to explore the anchor text for this module: Maus I. Students will also have an opportunity to build background knowledge about the Holocaust and familiarize themselves with a glossary of important events, people, and places that can be used throughout the unit and the module as a reference. This lesson also includes a discussion about varieties of English and the way in which language varies by context. ELLs may find this discussion reassuring, as it provides an opportunity to celebrate linguistic and cultural diversity and to affirm differences in dialect.
- ELLs may find it challenging to follow the graphic novel format of Maus I, as this may be unfamiliar type of text to many students. Encourage students to notice how the text and the illustrations are connected, and highlight that the graphic novel format has the potential to provide multiple forms of input, which may ultimately be helpful to students in comprehending the events within the text. ELLs may require additional support in navigating the online Holocaust resources; pair students thoughtfully with supportive peers during this activity.
Vocabulary
- caption, graphic novel, panel, speech bubble, tail (DS)
Key
(A): Academic Vocabulary
(DS): Domain-Specific Vocabulary
Materials from Previous Lessons
Teacher
Student
- Equity sticks (from Module 1, Unit 1, Lesson 1, Opening A)
- Work to Become Effective Learners anchor chart (one for display; from Module 1, Unit 2, Lessons 4-5, Work Time D)
- Domain-specific word wall (one for display; from Module 1, Unit 1, Lesson 2, Opening A)
- Work to Become Ethical People anchor chart (one for display; from Module 1, Unit 1, Lesson 1, Work Time D)
- Vocabulary logs (one per student; from Module 1, Unit 1, Lesson 2, Opening A)
New Materials
Teacher
Student
- Entrance Ticket: Unit 1, Lesson 2 (answers for teacher reference)
- Graphic Novel Format anchor chart (for teacher reference)
- Graphic Novel Format anchor chart (one for display)
- Text Guide: Maus I (for teacher reference)
- Exit Ticket: Unit 1, Lesson 2 (answers for teacher reference)
- Entrance Ticket: Unit 1, Lesson 2 (one per student)
- Entrance Ticket: Unit 1, Lesson 2 ▲
- Maus I (text; one per student)
- Synopsis: Maus I, Chapter 1 (one per student)
- Sticky notes (one per student)
- Exit Ticket: Unit 1, Lesson 2 (one per student)
- Homework: “The Holocaust: An Introductory History” (one per student; see Homework Resources)
Assessment
Each unit in the 6-8 Language Arts Curriculum has two standards-based assessments built in, one mid-unit assessment and one end of unit assessment. The module concludes with a performance task at the end of Unit 3 to synthesize students' understanding of what they accomplished through supported, standards-based writing.
Opening
Opening | Levels of Support |
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A. Engage the Learner – RL.8.1 (5 minutes)
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For Lighter Support
For Heavier Support
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Work Time
Work Time | Levels of Support |
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A. Introduction: How to Read a Graphic Novel (10 minutes)
“I can read a text in graphic novel format.”
“Have you ever read any other graphic novels? If so, what were they, and how are they different from other book formats?” (Responses will vary.) “What are some reasons authors might choose to use a graphic novel format?” (Responses will vary, but may recognize that telling a story in pictures and words is compelling for the reader; the visual aspect of a graphic novel helps draw readers in; the pictures become a critical aspect of the story and enhances how emotions or events are conveyed, etc.) “Why do you think the author of Maus I decided to write his story as a graphic novel?” (Responses will vary, but may reference the importance of pairing illustrations with text to tell a powerful story. The graphic format helps make the serious and important subject matter accessible to more readers.)
“Each page is made up of several panels. Each panel is a single drawing on the page. It is usually defined in a box by a border.”
“How many panels do you see on page 5?” (There are five panels, and although the first is larger in size, it is still only one panel.)
“To read the graphic novel, it is important to know which way to progress sequentially across the page.” “Just like reading a book, you start on the upper left hand side of the page. You will read the sequence of panels that go across in the first row to the right, and then proceed down to the next row, which you read across to the right, and then proceed down to the next row.”
“When discussing the book, we might refer to the panels by number in order to locate images and text easily. For example, on page 6 there is a close-up image of Art's father wearing glasses.”
“What panel number would this be?” (This would be panel 3. The reader counts across the first row, encountering two panels, then going down to the second row, encountering this panel, which is the third panel.)
“When it comes to dialogue in a graphic novel, there are many things readers need to note. For example, a caption is a tool in a graphic novel that gives the narrator a voice.” “A speech bubble shows the dialogue. The character speaking is usually indicated by the tail of the speech balloon.”
“What additional things will readers need to pay attention to when reading a graphic novel?”
“How will you work toward this habit while reading this graphic novel?” (Responses will vary, but may mention that they will practice perseverance as they read a new type of text and work through challenges that arise from reading a text that is different from others they have read in the past.)
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B. Preview Maus I – RL.8.1 (10 minutes)
“I can read a text in graphic novel format.”
“What does this title suggest the book will be about?” (Responses will vary, but should include that the book will tell a tale about the author's father, who lived through an important historical time period, and it suggests that he was a survivor.) “Why did the author choose the words bleeds history instead of choosing the word scar or wound?” (The word bleeds implies being deeply wounded and suggests how fresh or permanent his wound still is. The author did not use the word scar, which would have suggested the wound has healed.)
“What character and setting information is the reader given in this excerpt?” (We are introduced to the writer [Artie, or Art] and his father, during a memory from the writer’s boyhood, in New York in 1958.)
“Why does Art's father talk about being locked in a room with no food for a week?” (Responses will vary, but may include that Vladek had hardships in his life that were similar to what he describes—being locked in a room and without food.)
“What do you notice about the way he talks to Art?” (He is making it seem like Art's experience is not important because he had much harder experiences as a young adult.) “What was the gist of this section?” (Gist: A memory of the writer getting hurt while playing, dad doesn’t comfort him.) “What is the significance of this scene? Why did the author choose this scene to be the first the reader interacts with in the text?” (Although it is hard to be sure why the author put this scene in the forefront of the book, it introduces the reader to the two main characters and gives the reader insight into the relationship between them. The gulf between father and son will become a significant aspect of the book. It hints at the struggles the father experienced because he references being trapped in a room, without food, for one week. It also gives the reader some initial visual information—the characters look like mice, the story is told in black and white images, with a handful of panels on each page, etc.)
“Do you agree or disagree with what your classmate said? Why? I’ll give you time to think.”
“What do you notice about Vladek’s language? Does the variety of English he uses seem similar to varieties of English that you use?” (Answers will vary but may include that Vladek uses some words in a different order than the order used in the classroom variety of English students are used to and that he sometimes uses different verb tenses than someone might use in the classroom to express things.) “Why do you think Vladek’s dialect is different from the classroom variety of English we use?” (Answers will vary but may include Vladek lived in Poland, where he spoke Polish as his home language. He learned English there before moving to the United States. His pronunciation, word choice, and use of language structures in English are informed by his home language, Polish. Encourage and acknowledge all responses.)
“The way I speak and write in the classroom, is different than the way I speak and write with my family at home. How do you notice people using language differently in different contexts?” (Answers will vary but may include the following: We use English at school, but I speak a different language at home and with my friends. People use text messaging with shortened words, but when we write at school, we are more careful with grammar. Encourage and acknowledge all responses.)
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For Lighter Support
i. Telling your teacher you didn't complete your homework compared to writing your best friend a text saying you didn't complete your homework ii. Explaining what an ethical consideration is to an audience during a presentation compared to explaining what an ethical consideration is to a five-year-old For Heavier Support
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C. Read Maus I, Chapter 1 (15 minutes)
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Closing & Assessments
Closing |
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A. Exit Ticket: Text-Dependent Questions, Maus I, Chapter 1 - RL.8.3 (5 minutes)
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Homework
Homework |
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A. Preread "The Holocaust: An Introductory History"
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